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    News from Sakura Bonsai Gallery

    I hope to find the time to add some news on cleaning up my neglected collection.

    This very large, Hachi-Uye, bonsai has just been candle pruned.  Looking forward to the 'second flush' of many smaller candles.

    kuro matsu australian bonsai gallery 12

    I have been working on this trident maple from a cutting struck in the early 80's.  It should be more advanced, by now, but it has been a victim of my limited time.  It is finally getting some attention.  The final stage of (initial) development is to thicken the lower branch with these sacrificial growth.  The rest of the tree is being refined and the leaves and inter-nodes are reducing nicely.  See what is for sale in the Gallery Bonsai For Sale.

    Trident Maple under construction

    Just completed some initial 're-design' on this old Sequoia.  I started this bonsai as 'tube stock' from a local nursery in the late 70's.  It was field grown for a few years and spend ~5yrs in a large training pot before finally beint transfered to a bonsai pot.

    The bonsai is shown here with one of the cuttings I took from this bonsai ~19yrs ago.  The 'cutting' has been in our garden for ~18yrs.  Quite a contrast!

    sequoia sempervirens bonsai cutting

    This old Atlantic Cedar wa a 'swap' for one of my old Swamp Cypress some years ago.  I wanted to break up the very long-straight trunk and also to show off more of the dead wood now on the right.  At 105cm high it makes a real impact in the Bonsai Gallery here in Dorrigo. 

    atlantic cedar australian bonsai gallery 

    This old Trident Maple was grown from a cutting I struck more than 38yrs ago.  It was field grown to develop the nebari and trunk width.

    I have just shortened the tree by ~17cm to maintain the focus on the nebari and trunk.  I need to reduce the leaf size so lots of pinching throughout the growing season is mandatory.   More buds, more branches, smaller leaves.

     

    trident maple shortened

    Resukyū  (レスキュー ) has been 're-worked' today.  Took me all day to needle pluck, bud select, and re-shape this White Pine.

    resukyu 2018 10 09 02

    SHUNKA-EN bonsai Museum offers us all the opportunity to study with Kobayashi San through his generosity in welcoming international apprentices.  The following is an extract from his website:

    "As we believe the apprenticeship system in traditional manner is the best way to learn Bonsai, we offer chances for anybody to join us if you are really serious about Bonsai.  Here we accept people not as a guest nor as a student, but as one of our member.
    This means while we do our own business, you have to learn by yourself through observing us, doing as we do, eating, sleeping, and working together with us. We recommend you to stay at least 1 month but shorter term is also acceptable.
    The cost would be 5,000JPY per day or 100,000JPY per month, including accomondations and 3 meals per day. You'll work with Kunio Kobayashi and his apprentices everyday, and get certificate at the end."

    Anyone can apply; you are then INVITED to join as a member !!...... We can all do this if we wish!!!

    kobayashi apprenticeShunka-en apprentices we talked to in 2016

     Time to repot some very pot-bound Taxodium.  Very fast growing roots require me to repot frequently.  I don't fertilise these bonsai very much at all.  They DO NOT need a tray of water under the pot; many will disagree but I have been growing Taxodium for 40+ years without water trays.

    repotting swamp cypress australian bonsai gallery

    This post is a slight departure from my usual news items.  It raises the issue of Sensitive Design in bonsai.

    The following image was taken in 2016 on our tour of the Omiya Bonsai Village.  This bonsai is one of Yamada san's finest bonsai.  As you can see there are no 'hard' foliage pads with 'spirit level' clipped bases; just soft, sensitive foliage.... so natural.

    Another beautiful example comes from Kobayoshi san.  The second image here, one that Mr Kobayashi is justifiably proud of, demonstrates the beauty of this 'sensitive design'. Please excuse the image of the very nervous 'gaijin' in this image.

    This sensitivity in design requires an understanding and 'deep knowledge' rarely seen in the world of bonsai.  Not sure if I will live long enough to achieve such a level. 

    yamada juniper

    Kunio Kobayashi 01a 1

    Yes, Akadama in Dorrigo.  The Australian Bonsai Gallery makes it's own version of Akadama.  We have been developing this essential bonsai soil component for many years now.  It is hard and rates very well in soil dispersion tests.  It performs well in the pot and makes a real difference to tree health even in our very high rainfall climate.

    akadama 2x6mm australian bonsai gallery

    Three old Chinese Elms re-potter.  This is the earliest I have re-potted elms in over 40 years!  Very warm in Dorrigo at the moment..... waiting for the cold of August to hit.  Will have to protect these elms from the cold and wind that is to come.

    chinese elm repot australian bonsai gallery

    This old Liquidamber started it's bonsai journey as small nursery stock I purchased in the early 1980's. Heavily styled this winter, I am looking forward to further increasing the number of buds, and the consequent leaf size, over the spring and summer.

    This bonsai is for sale.  Details at our on-line catalogue.

    liquidamber 02 australian bonsai gallery

    This old Liquidamber started it's bonsai journey as small nursery stock I purchased in the early 1980's.  Heavily styled this winter, I am looking forward to further increasing the number of buds, and the consequent leaf size, over the spring and summer.

    liquidamber australian bonsai gallery

    This old Japanese White Pine, I have named Resukyū  (レスキュー ) has been in the collection for ~2 decades.  It was 'rescued', as a potted nursery plant, from a coastal nursery where it was in poor condition.  I was attracted to this pine due mainly to the very neat graft union and the foliage colour. Some years latter, after a period of recovery, it flowered for the first time with bright crimson inflorescence.

    It spent two years under the care of Shannon Young, at the Canberra Arboritum.  I was fortunate to have Shannon and Pavel Slovák work on the bonsai as part of a demo at the Arboretum.

    goyo matsu australian bonsai galleryResukyū (レスキュー )

     

    This old Kuromatsu, I have named Zaidan ( 財団) as it is one of the major 'foundation' trees in the gallery.black pine bonsai 02Zaidan ( 財団)

    Most bonsai in the collection are in need of a Winter cleanup; starting with the nebari.  This is a very important element in the design and character of a good bonsai.

    australian bonsai gallery nebari cleanup

    This old KuroMatsu was field grown fron nursery stock since the mid 1980's.  It spent 2 years at the Arborutum under the expert care of Shannon Young.  Needle plucking had to be done with tweezers....

    Now bud selection is done and one branch wired.... Have to find time to finish wiring.!!

    australian bonsai gallery kuro matsu wiring 2018 06 14

    Yet another old KuroMatsu that has been in the collection since the early 1980's.  I developed this one from small nursery stock.  It was field grown for at least 5yrs.

    It is now getting the attention it deserves.  Should be a very good bonsai with more refinement.  kuro matsu australian bonsai gallery 12 980

    Another two pines needle plucked, bud selected, and wired. Ready for the spring.

    aka shiro matsu australian bonsai gallery

    Some Autumn colour starting in the gallery.  These two 'root-over-rock' style trident maples will be a great show this year..

     trident maples autumn 2018

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